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Kerala PSC Indian History Book Study Materials Page 947
Book's First PageCharana: The final (and longest) verse to wrap up the song. The Charanam This kind of song is called a keerthanam or a kriti. There are other possible structures for a kriti, which may, in addition to the three above, include swara passages named chittaswara. A chittaswara consists only of notes, and has no words. Still others have a verse at the end of the charana, called the madhyamakāla. It is sung at double speed immediately after the charana. Similarities and Differences between "Hindustani" and "Carnatic" music Although there are many similarities between the Hindustani and Carnatic music, there are a few differentiating features also. Both the styles are monophonic, follow a melodic line and employ a drone (tanpura) with the help of one or two notes against the melody. Definite scales are adopted by both the styles to define a raga but the Carnatic style employs srutis or semitones to create a raga and thus have many more ragas than the Hindustani style. Carnatic ragas more or less differ from Hindustani ragas, with their names also different in Hindustani and Carnatic music. However, there are some ragas in Carnatic music which have the same scale as Hindustani ragas but have different names; such as Hindolam and Malkauns, Shankarabharanam and Bilawal. There is a third category of ragas like Hamsadhwani, Charukeshi, Kalavati, etc. that are essentially Carnatic Ragas. They have the same name, follow the same scale (having same set of notes) but can be rendered in the two distinctively different Carnatic and Hindustani styles. Unlike Hindustani music, Carnatic music does not adhere to time or samay concepts. Furthermore, instead of thaats, Carnatic music follows the Melakarta concept. Instrumental Music While it is difficult to precisely say when exactly the early musical instruments came into existence in India, but they find mention in several ancient texts like the Upanishads, Samhitas, Valmiki"s Ramayana, Bhagwad Gita and the Sangam classics. Many of the instruments mentioned in these texts date back to 5000 BC. It is most likely and widely believed also that the Dhanuryantram (bow and arrow), used by primitive tribes for hunting and